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| "Life of Pi" poster. |
LOS ANGELES: China has stopped paying Hollywood studios for its films in a dispute over a Chinese tax on movie profits, Hollywood trade papers reported Tuesday.
Tens of millions of dollars in box office revenues are owed in arrears to the likes of Disney, Warner, Universal, Paramount, Fox and Sony, according to The Hollywood Reporter.
The magazine said China's state-owned movie distributor, China Film Group, owes more than $31 million to Warner for “Man of Steel,” $23 million to Sony for “Skyfall” and $23 million to Fox for “Life of Pi.”
China stopped payment at the beginning of the year, when American studios took issue with a two per cent value-added tax that the world's most populous nation was levying on US films.
Chinese authorities want the studios to pay them the tax, but the studios argue it violates a World Trade Organization agreement governing the film trade between the two countries.
In the accord last year, heralded as historic by the United States, the two countries agreed that China could import 34 US blockbusters a year (up from 20) and studios' revenue share from China was fixed at 25 percent (up from 13 to 17 per cent).
The Motion Picture Association of America (MPAA), which acts on behalf of studios' interests, is negotiating with Chinese authorities, to resolve the tax dispute.
In the meantime, lack of profit has not deterred US studios from sending their films to China, which currently has the world's most dynamic movie market, in the aim of cementing a long-term foothold.
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| After Midnight, the song that brought fame for JJ Cale |
US singer-songwriter JJ Cale has died of heart attack at the age of 74.
An announcement on his personal website said he had passed away at a hospital in La Jolla, California, on Friday.
Born in Oklahoma, Cale helped create the Tulsa Sound, which combined blues, rockabilly, and country. He became famous in 1970, when Eric Clapton covered his song After Midnight.
In 1977 Clapton also popularised Cale's Cocaine. The two worked together on an album which won a Grammy award in 2008.
Born in 1938, John Weldon Cale adopted the name JJ Cale to avoid being confused with John Cale of the Velvet Underground.
Building up on the success of After Midnight, he recorded Naturally - the first of his 14 studio albums.
He pioneered the use of drum machines, and was famous for his personal laid-back singing style.
However Cale always described himself as a songwriter rather than a singer, and his songs tended to enjoy greater success when performed by others - notably Tom Petty, Santana and Lynyrd Skynyrd.
Rupert Grint and Ben Whishaw took part in a read-through of the play for director Ian Rickson
Rupert Grint is to make his West End stage debut alongside Ben Whishaw in a West End revival of Jez Butterworth's Mojo.
Daniel Mays and Downton Abbey's Brendan Coyle will also star in the black comedy set in a seedy 1950s Soho night club.
The award-winning play opened at the Royal Court in 1995 and was made into a film released in 1998.
Mojo will begin previews at the Harold Pinter Theatre on 26 October.
The show will be directed by Ian Rickson - who directed the original production - and designed by Ultz, who worked with Rickson and Butterworth on Jerusalem.
Speaking to Baz Bamigboye in the Daily Mail, Rickson said he cast Grint after placing him in a read-through of the play.
'I'd seen the Potter films with my daughter and always thought Rupert was truthful as Ron Weasley. There's something ordinary and centred about him, and in this world of Mojo you want that grittiness,' he said.
Whishaw, who plays Q in the latest Bond films, was last seen onstage opposite Judi Dench in Peter and Alice at the Noel Coward theatre.
Jon Leyne was expelled by Tehran in June 2009
BBC foreign correspondent Jon Leyne has died in London at the age of 55.
One of the BBC's most experienced journalists, Leyne covered wars and unrest in many regions over the past three decades.
He joined the BBC in 1985, and worked as UN correspondent in the early 1990s before serving around Europe and the Middle East, as well as in Washington.
In recent years, Leyne covered the Libyan uprising against Col Muammar Gaddafi and the Egyptian revolution.
Acting Director BBC News Fran Unsworth said: "Jon was a brave and courageous journalist in the best traditions of the BBC. He had an insatiable curiosity and told complex stories in an engaging and accessible way."
Iran posting
In 2001, Leyne was US state department correspondent and close to the Pentagon when the building was attacked from the air on 11 September.
In the following years he travelled the world covering the journeys of then-Secretary of State Colin Powell.
Leyne was appointed correspondent in Jordan and covered the 2006 conflict between Israel and Lebanese militant group Hezbollah.
While working in Iran during the 2009 elections, he was asked to leave within 24 hours by the Tehran authorities who accused Britain and the BBC of meddling in internal affairs.
Earlier this year, he ended his Cairo posting early after suffering from severe headaches.
He returned to Britain for treatment and was diagnosed with an incurable brain tumour.
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| The world gets its first glimpse of the new member of the Royal Family |
The Duke and Duchess of Cambridge have spent their first night at home with their new son, whose name they have yet to decide upon.
The world caught a glimpse of the third in line to the throne as the royals left St Mary's Hospital in west London.
Speaking outside the hospital, the duke said they were "working on a name" and would choose one "as soon as we can".
They described becoming parents as "very emotional", before the duke drove his family home to Kensington Palace.
Although the couple have yet to decide on a name it is known that the newest royal will be styled HRH Prince (name) of Cambridge.
George is the bookmakers' favourite for the first name of the prince, who is destined to be king one day. James and Alexander are among other names on a short price.
'Wait and see'
The prospect of him being named after his father has been virtually written off by the bookmakers, with both Ladbrokes and Paddy Power rating William as a 50/1 shot.
Asked by the BBC's royal correspondent Peter Hunt if the baby had already been named George, Prince William replied: "Wait and see, Peter, wait and see."
Royal fans waited a week before the name of a newborn Prince William was announced in 1982, and there was a wait of a month following the Prince of Wales' birth in 1948.
Continue reading the main story
The prince appeared to give his first regal wave as the family emerged from the hospital
The prince and Catherine appeared relaxed and smiled as they appeared with the new arrival on the steps of the hospital in front of a mass of photographers.
The duke told reporters: "He's got a good pair of lungs on him, that's for sure. He's a big boy, he's quite heavy."
He said: "It's the first time we have seen him really so we are having a proper chance to catch up."
Prince William said he would remind his son "of his tardiness when he's a bit older".
"I know how long you've all been standing here so hopefully the hospital and you guys can all go back to normal now and we can go and look after him," he added.
A smiling duchess said: "It's such a special time. I think any parent will know what this feeling feels like."
The couple also revealed William had carried out the first nappy change.
The couple then went back inside the private Lindo Wing and placed their son in a car seat.
A few minutes later they came outside again and departed for Kensington Palace.
Earlier in the afternoon, the couple were visited at the hospital by the Prince of Wales and Duchess of Cornwall, and Catherine's parents, Carole and Michael Middleton.
'So thrilled'
Prince Charles said the baby was "marvellous" while Mrs Middleton said he was "absolutely beautiful".
Speaking to reporters as she left the hospital, Mrs Middleton said: "We are so thrilled."
She added her first cuddle with her new grandson had been "amazing".
Prince William was at the hospital for the birth at 16:24 BST on Monday, and stayed with his wife and son, who weighed 8lb 6oz (3.8kg), overnight.
The couple said in a statement: "We would like to thank the staff at the Lindo Wing and the whole hospital for the tremendous care the three of us have received.
"We know it has been a very busy period for the hospital and we would like to thank everyone - staff, patients and visitors - for their understanding during this time."
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| A memorial for the cast and crew will take place later this week |
Glee creator Ryan Murphy has said he is planning to make a special tribute episode to honour cast member Cory Monteith who died last weekend.
Speaking in a number of US interviews, Murphy said the tribute would feature as the third episode of the fifth series, which begins in September.
It has yet to be decided exactly how Monteith's death will be addressed on screen.
But Murphy confirmed Monteith's character would not be re-cast.
He said the "right thing to do" would be to "have that character pass".
Murphy added that after the tribute, the show would take an "extended hiatus" to evaluate its future.
Monteith was found dead in a hotel in Vancouver last Saturday. A post-mortem said he died from a heroin and alcohol overdose.
Murphy said Monteith's girlfriend, Lea Michele, wanted to go back to work
"When you're faced with something so sad and so shocking, what do you do? Do we cancel the show? Do we start shooting in January? What do we do?" Murphy told The Hollywood Reporter.
"Ultimately, we decided the best thing for everyone is to get back to work and be around people who knew him and loved him so that everyone can grieve together."
The first two episodes of the next series - a planned Beatles tribute which has already been written - will be filmed next month ahead of the tribute.
US network Fox announced last week the fifth series would begin on 26 September - a week later than originally planned.
Murphy said the decision to return to work was made by Monteith's girlfriend and fellow cast member, Lea Michele.
"If Lea had said to me, 'I could never do this again and I don't want to do this again,' - you know, she is sort of the show... I would've, out of respect to her as a person, said OK," he told E! News.
"But that's not how Lea operates; that's not how she feels. That was never on the table for her. Nothing has been done and will be done in terms of any of the material without Lea blessing it and making sure it's OK with her."
"When we do the tribute episode to that character, we'll have to do it in a way where the cast members will not have to re-create feelings of grief that they've had this week - but do it in an upbeat way," he said.
"If we can do this responsibly and help young people through these feelings, that's the best that we can hope for."
A memorial for cast and crew is planned for later this week at Paramount's studios.
Morrissey has suffered from double pneumonia, food poisoning and a bleeding ulcer in recent months
Morrissey has apologised to fans after cancelling the remainder of his South American tour due to a "lack of funding".
The former Smiths frontman had postponed 14 dates earlier this month after suffering from food poisoning.
Poor health has forced the singer to axe almost all of his tour dates this year, including his North American leg.
Writing on the fan site True To You, Morrissey said it had been a year of "too many disappointments".
"I am informed today that the projected tour of South America is snuffed out, thus euthanised - due, I'm reliably advised, to lack of funding," he wrote.
"It's quite easy to sell tickets, yet impossible to transport band and crew from F to G. This really is the last of many final straws and I am not alone in feeling this."
The singer went on to say his apologies for cancelling his tour dates were now so frequent, it was "somewhat ridiculous".
"It is agonising to be responsible for imparting such news - especially when it springs upon me unexpectedly and inexplicably. But the collapse of South America rings the curtain down with a colossal thud.
"Cancellations and illness have sucked the life out of all of us, and the only sensible solution seems to be the art of doing nothing."
In March, Morrissey cancelled his US tour following a series of what he called "medical mishaps".
The 53-year-old has suffered from a number of illnesses in recent months including a bleeding ulcer, Barrett's oesophagus and double pneumonia.
The South American tour had been due to end in Rio de Janeiro on 4 August.
Jeremy Renner, Chris Evans and Scarlett Johansson are among the Avengers' all-star cast
Director Joss Whedon has revealed the title of his 2015 Avengers sequel - Avengers: Age of Ultron - at the Comic-Con convention in San Diego.
It follows on from the hugely successful first movie, reuniting stars including Robert Downey Jr as Iron Man and Chris Hemsworth as Thor.
Marvel villain Ultron is a rebellious artificial intelligence which creates an android that attacks the Avengers.
Whedon revealed the name after footage of the latest Thor film was shown.
The footage was introduced by actor Tom Hiddleston - who played villain Loki in the first Avengers film - in full costume, according to Hollywood Reporter.
Iron Man 3 was also a massive box-office hit
Hiddleston stayed in character, making his speech and rallying members of the audience as they chanted the villain's name.
Comic-Con, which has been running since 1970, celebrates "the historic and ongoing contribution of comics to art and culture".
It holds conventions and events featuring comics and related popular artforms - not least films featuring comic-book characters and computer games.
Spenser starred in Just William when he was 14
David Spenser, the child star who played Just William in the 1948 radio play and went on to work as an actor and producer, has died aged 79.
Spenser, who appeared in episodes of Z Cars, Dixon of Dock Green, The Saint and Doctor Who, also directed two 1991 documentaries on comic Benny Hill.
Former head of BBC radio drama John Tydeman said he was "a marvellous radio actor with a very distinctive voice".
Mr Tydeman said Spenser died on Saturday in Spain, where he had lived.
Spenser began his career aged 11 when he worked in plays on Children's Hour, having auditioned for the show's producer Josephine Plummer.
Mr Tydeman said he was then cast in the role of William by its author Richmal Crompton.
Spenser said of the era: "Difficult though it may seem today, radio actors and actresses were considered to be 'stars'. Their voices were as recognisable as faces in Coronation Street today. There was no television."
Spenser [R] played Thonmi in six Patrick Troughton Doctor Who episodes
He added: "Radio was the friend in one's own home, giving one the news in a quiet sensible fashion, and entertaining one with music and zany comedy and drama."
After starring in various TV shows, he played Thonmi in six episodes of Doctor Who with Patrick Troughton.
They were broadcast in 1967, and titled The Abominable Snowmen.
He went on to work as a radio producer, producing plays for the BBC including Anthony Trollope's The Way We Live Now, in 1988, and Mr Norris Changes Trains, based on the Christopher Isherwood novel, in 1984.
His historical drama City of the Horizon, about the Pharaoh Achnaton, was broadcast in 1972 and 1976.
Backstreet’s back all right!—with a baby boy. Kevin Richardson took to Facebook today to announce the birth of his second son, Maxwell Haze Richardson.
“Special delivery! Another Richardson boy... At 3:05am Wednesday morning (7/10/13), Maxwell Haze Richardson decided to join the party,” Richardson writes. “He is a stout 9 lbs. 8 oz. / 23 inches long. Love! Love! Love!”
Richardson and his wife Kristin Kay Willits have been married since 2000 and welcomed their first son, Mason Frey, back in 2007. It wasn’t until this past April that the former boybander tweeted the news of his wife’s second pregnancy.
The new father-of two has had a lot going on. Just last year, he rejoined Brian Littrell, Nick Carter, Howie Dorough and A.J. McLean after his separation from the group for almost six years. Not long after the reunion, the band announced on Good Morning America that they would be releasing their first studio album with Richardson since his departure.
The new album, titled “In A World Like This,” is scheduled to be released on July 30 followed by the official world tour kickoff on Aug. 2 in Chicago.
This year marks the 20th anniversary of the Backstreet Boys, and it looks to be a successful year for the band. In April, the boys received the 2,485th star on the iconic Hollywood Walk of Fame. The honor even brought tears to Carter’s eyes as he told the crowd, “I never ever imagined in a million years that we would be a part of this.”
And that wasn’t the only tribute the boy band received this year.
The quintet was one of the greatest boy bands included in new boy band The Wanted’s latest music video, “Walks Like Rihanna”. Group members Max, Siva, Nathan, Tom, and Jay copied the famous white outfits from one of the Backstreet Boy’s all-time greatest hits “I Want It That Way.”
To make matters even better, the two groups met for the first time earlier this month and performed together on the same stage at G-A-Y, a London night club. We weren’t there for the collaboration, but we definitely wish we were. - See more at: http://www.pakistantoday.com.pk/2013/07/13/news/entertainment/double-trouble-as-kevin-richardson-father-second-time-round/#sthash.2t2IpKHL.dpuf
This weekend, theaters will rumble with the sounds of more monsters and machines battling it out over the fate of the world as we know it. The themes of Warner Bros.’ Pacific Rimmight not be new but I’m here to say you should still get out to the theater and see the movie.
I haven’t seen Pacific Rim myself. I don’t know if it’s any good (although it earns a 72 out of 100 on Rotten Tomatoes). As a fan of director Guillermo Del Toro, I’m very excited to see his take on the whole Godzilla vs. mecha thing.
But that’s not why I’m advocating for the movie here. If you have any interest in the film, you should make the effort to see it in the theater for one simple reason: although the movie is inspired by Japanese kaiju, it’s an original story.
That’s a huge risk in today’s market where the highest-grossing films are almost always either sequels or based on previous material like old TV shows or books. Take a look at the top-grossing movies from 2012. Only one live-action film of the top 20 is based on original material: Ted. With a budget of $50 million, the comedy was not that huge of a risk for Universal.
Pacific Rim, on the other hand, cost $180 million. From a profit and loss point of view, that’s more than any studio really should spend on an original idea. It doesn’t make a lot of sense if you just look at the numbers.
But that’s what’s so great about the movie. My hope is that if the film does well enough, studios will look at the numbers and be more willing to take similar risks in the future. Iron Man 3 and Fast & Furious 6are all well and good, but how amazing is it to find something unexpected and delightful at the theater? It’s hard for that to happen with sequels and reboots and book adaptations.
Exhibitor Relations expects Pacific Rim will rank second at the box office with $42 million (behind, natch, a sequel, Despicable Me 2). But Exhibitor’s Jeff Bock says the film could do even better as it can be hard to track how many younger people will show up opening weekend. The movie currently accounts for 60% of the ticket sales on Fandango. If it does earn $42 million, that’s not a great opening. It would only be the 10th biggest opening of the year.
So maybe, in a show of support for original ideas, we can bump that number up enough for the film to have an unexpectedly good showing. Just enough for the studio bean counters to say yes to the next crazy idea when it comes around.
(Oh, and also get out there and support indie movies. They need it even more.)
Follow me on Twitter at DorothyatForbes.
Everyone should know this by now: Never count Oprah out. Despite business stumbles and an $88 million earnings drop since last year, Oprah Winfreyreturns to the top of Forbes’ annual Celebrity 100 ranking of the most powerful celebrities after two years in second place. She leads a female-dominated top 10 that includes Lady Gaga, Beyonce, Madonna, Taylor Swiftand Ellen DeGeneres.
Even without her eponymous daytime talk show, Winfrey made an estimated $77 million between June 2012 and June 2013, down from last year’s $165 million. While she wasn’t the highest earner on our list, her money, mixed with strong fame scores in metrics like press mentions and social networking power, pushed her to the top.
Winfrey remains a powerful force in Hollywood. Her Oprah Winfrey Network, once a drifting cable outpost that lost an estimated $330 million for parent company Discovery between 2008 and the end of 2012, is now a smoothish-running media machine that could turn a profit by the end of 2013.

Mistakes like Rose O’Donnell’s talk show? History. Nailing must-see viewing, like her two-night interview with disgraced cyclist Lance Armstrong, is Winfrey’s focus now, as are scripted shows with help from fellow Celebrity 100 member Tyler Perry. In the near future, shows that don’t star Winfrey could become as much of a draw as her own programs. Winfrey also earns from an empire that includes her O magazine, talk shows from protégés like Rachael Ray and Dr. Phil, and a network on SiriusXM satellite radio.
Unlike most FORBES lists, which are based on earnings or net worth, our annual Celebrity 100 takes a stab at measuring that most ephemeral of riches: fame. Yes, we factor in celebrity earnings over the last 12 months, but we also tally how often each celebrity is mentioned in print and on TV, and gauge the strength of their Internet presence and how they’re viewed by a critical constituency: American consumers.
This year we added a marketability score (1-100) for each celebrity that was developed by Encino, Calif.-based market research firm E-Poll, based on opinion polling about 46 different attributes for 6,600 different celebrities. Will Smith, Jennifer Aniston and Sandra Bullock are the most marketable celebrities on our list (Fifty Shades of Grey author E.L. James ranks dead last in that category).
For social networking strength, we worked with another new partner, Starcount, a Singapore-based company that measures impact across 11 social media platforms including Facebook FB +0.03%, Twitter, YouTube and Google GOOG +1.57% +. Each celebrity’s Starcount number gives a sense of how popular he or she is on the Internet.
Pop stars tend to do very well on this metric. Last year’s Celebrity 100 cover boy, Justin Bieber, has the most social networking power of the 100 celebrities on our list, followed by Rihanna and Lady Gaga.
Of course, because we’re FORBES, money carries the most weight in our rankings, and thanks to that Madonna is back on the Celeb 100–in fifth place–after two years off the list. Even though her newest album, MDNA, was a flop, the Material Girl still managed to rank as this year’s top earner thanks to a world tour that helped her rake in $125 million between June 2012 and June 2013.
Lady Gaga, who topped our list in 2011 and is often considered Madonna’s heir, ranks second despite cutting her tour short due to a hip injury. Gaga still managed to earn $80 million and get the second-most press mentions of anyone on our list (behind Rihanna). Gaga is also a master of social networking. Her Little Monsters hang on her every tweet, making her the third most successful social networker on our list.
Together with Beyonce (fourth,) Taylor Swift (sixth) and Ellen Degeneres (10th) women occupy six of the top 10 slots on this year’s list, down from seven last year. Overall, they landed 35 of 100 slots, about the same as last year.
The four men who crack the top 10 are director Steven Spielberg (third), rock band Bon Jovi (seventh), tennis player Roger Federer (eighth), and pop star Bieber (ninth).
Spielberg is up seven spots from last year, with estimated earnings of $100 million. The director was back in peak form with political biopic Lincoln. The film not only earned two Oscars, it also grossed a tidy $275 million at the global box office on a budget of $65 million. Spielberg’s TV work isn’t going quite as well, DreamWorks’ Smash was recently canceled by NBC. But he’s got several new shows in the works, including a small screen version of the popular video game, Halo.
Federer, the highest-ranked athlete on our list, is up 23 spots from last year thanks to the most impressive endorsement portfolio in sports. Ten sponsors collectively pay him more than $40 million annually. He’s also a press darling. Federer ranks seventh for celebrities with the most mentions in print.
Last year’s number one, Jennifer Lopez, falls to 12th place on our list this time around. With American Idol in her rearview mirror, Lopez just doesn’t carry the same buzz as a year ago, despite the ratings implosion of the show. No worries, though. She still managed to pull in $45 million from a major concert tour and endless endorsement work.
Apparently “Pain & Gain” is director Michael Bay's lowest budget film with an approximate budget of $20 million.
Remember, this man has directed multi-million-dollar Hollywood entertainment extravaganzas like “Armageddon,” “Pearl Harbor” and the CGI-infused “Transformers” series.
Yet again, Bay's style of lavish adrenaline and promotion of absolutist American valor and virile accomplishment continues with his latest release that stars Mark Wahlberg, Dwayne Johnson and Anthony Mackey.
It is the mid-'90s in Miami -- a sultry, colorful and pop-culture town reminiscent of the series “Miami Vice,” which is shown through the lens of cinematographer Ben Seresin.
Daniel Lugo (Wahlberg) is a fitness instructor and hardcore weightlifter. What matters most in his life is looking good. He explains his obsession with fitness with a twisted understanding of American meritocracy: You have to work hard to gain anything in this life, and those who do not work hard enough must be dismissed from the system. Like, for example, fat people or unhealthy people.
But is Daniel really that happy living with this “can do” attitude? Sure he's got a great body and a decent job that could pay a bit more, but he just can't get his head around how some people are so much richer than he is -- especially those who have average bodies. Why doesn't he just have more? Doesn't he deserve it? Apparently not.
One day, a rich, half Jewish-half Colombian businessman enters his gym and Daniel, through half-witted justification, decides to make the man his mark for an extortion scheme. Together with his deeply confused weightlifter buddies, the steroid-ridden Adrian (Mackey) and ex-alcoholic Paul (Johnson), they decide to kidnap the man.
These men are so carried away with their super-hero wardrobes that they can't even put a proper heist plan together. It is only on their fourth try that they manage to abduct the man. Days of torture ensue, and the trio slowly starts siphoning the man's money. We get to know these men even better, and believe me there is not one ounce of sympathy we can summon up for them even if we laugh at their general stupidity and crassness. They are shallow beyond belief, and their morality is continuously questionable even though one of them feels a tinge of self-doubt. Lugo moves into the man's house, Adrian continues with the steroids, and Paul falls into drug addiction. The money runs out, and they can't afford to give up their dreams of glamour, so they decide to proceed with another heist that this time will surely get them caught.
This is not a story of American heroism, and though the screenplay is very clear on that note with its satiric dialogues and ironic twists and turns, director Bay takes the story to a whole different level with his overexcited direction. Most of the time it seems that he adores these three misfits; he makes use of a deeply emotional soundtrack that pushes us to try to empathize with their trials and tribulations. Low-angle frames and slow-motion technique are incessantly used, as the three men walk and move, glamorizing their Adonis-like bodies. It is as if the director is trying to create an example of stereotypical masculinity for his male audience.
The dichotomy of this film lies between its narrative and narration. This could have been an amazing black comedy that could have pushed itself in criticizing the greed, shallowness and obsession with image and consumerism that is essentially the focal point of its screenplay. However, it is shot like a typical action-hero film that chooses to dispel all subtleties with its visual and aural intensity. The film prioritizes a contrived style that is concerned with looking flashy and chiseled on the outside as opposed to creating real intellectual and emotional meaning. It falls into the same pitfall as the image-conscious characters it portrays.
“Pain and Gain” leaves one feeling unsatisfied, and with a strange taste of bitterness after seeing so much senseless violence and characters who we can only feel apathy for. Wahlberg, Johnson and Mackey try in all honesty to give great performances, but within the fast-paced editing of the film their moments of genuine human complexity are lost.
‘Pain & Gain’
Directed by: Michael Bay
Country: US
Genre: Comedy, Crime
Cast: Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub, Ed Harris, Ken Jeong










